ENG | PL

 

FOR ORCHESTRA: score, parts and sound examples

 

• Score (PDF)   |   Score revised 2017

 

• Sound examples for clarinets and horns

 

• Parts (PDF)    
  • WOODWINDS
    • flute piccolo
    • flute (1)
    • oboe 1
    • oboe 2
    • clarinet 1
    • clarinet 2
    • bassoon 1
    • bassoon 2
  • BRASS
    • horn 1
    • horn 2
    • trumpet 1
    • trumpet 2
    • trumpet 3
    • trombone
  • PERCUSSION
    • percussion 1
    • percussion 2
    • percussion 3
  • STRINGS
    • violins I-1
    • violins I-2
    • violins II-1
    • violins II-2
    • violas
    • cellos
    • double basses

 

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THE ELECTRONIC LAYER (fixed-media, "tape")

 

• Please choose a version that will work best for your speaker system from the options below.
• If you need assistance, please contact the composer (girlbot@ewatrebacz.com).

 

1) Ambisonic MASTER (B-format, FOA, FuMa, WXYZ)

 

• This is the original "master" file. It can be used for rendering versions for custom speaker layouts.  Provided at 2 sample rates: 96 kHz and 48 kHz.

           Download the 48 kHz file... | Download the 96 kHz file...

 

• Please be aware that reproducing B-format sound files requires the use of an Ambisonic decoder. 
• Recommended decoding software (FREE): The Ambisonic Toolkit (ATK)

 

2) DOUBLE HEXAGON - 12 channel version, 2 layers of speakers

• Speakers should be arranged clockwise, in a double hexagon, 6 speakers in each layer, top layer directly above the bottom one.
• Channels 1- 6 represent the bottom speaker array, starting from the front left speaker.
• Channels 7-12 represent the upper array of speakers.

 

 

3) OCTAGON - 8 channel version, single layer of speakers

• Speakers arranged in a regular octagon:

 

4) HEXAGON - 6 channel version, single layer of speakers

• Speakers arranged in a regular hexagon:

 

5) Stereo UHJ - for rehearsals or streaming

• This stereo version can be used for streaming purposes or for rehearsals.

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THE SYNCHRONIZATION LAYER

 

• Clicktrack for the conductor
• MIDI file - use this MIDI file to recreate the tempo changes and measure structure for rehearsal purposes. 
  • Import the MIDI file into DAW software of your choice to recreate the measures and tempo changes.
  • Mute or delete the MIDI track after confirming that the measure structure has been properly re-created.
  • This will let you restart a playback of the electronic layer from any given measure during the rehearsals.