EWA TRĘBACZ [read like: Eva Trembatch]

EWA TRĘBACZ - DIGITAL PORTFOLIO (selected works)
About my composition process | 
Composing spaces


SOLO, ENSEMBLE & ORCHESTRAL WORKS (with electronic media)

Live stream (full concert), Warsaw Autumn Festival 2020 
"Metanoia" starts at about 1:00:40

METANOIA (2020)
concerto for violin, string orchestra and surround sound

Adam Bałdych - violin, NFM Leopoldinum Orchestra, Christian Danowicz - conductor
63rd International Festival of Contemporary Music "Warsaw Autumn"
Witold Lutosławski Polish Radio Concert Studio in Warsaw

 

About: https://ewatrebacz.com/works/metanoia

Score...

 

Violin solo part (notated separately)...

LIGEIA (2016)
for invisible soprano, ensemble and surround sound

Anna Niedźwiedź - invisible soprano, Seattle Modern Orchestra, Julia Tai - conductor

 

About:  https://ewatrebacz.com/works/ligeia

 

Score...

Live stream (full concert), Audio Art Festival 2024
"Tharsis" starts at about 50:50

THARSIS (2024)
for contrabass clarinet and electronic media

Julian Paprocki - contrabass clarinet

 

About: https://ewatrebacz.com/works/tharsis


Score...

 

 

INANNA DESCENDING (2019)
for Ambisonic sound and variable ensemble
Anna Niedźwiedź - virtual soloist (voice), Josiah Boothby - horn, Heather Bentley - viola,
Kaley Lane Eaton - voice, Leanna Keith - flute, Mirta Wymerszberg - bandoneon

 

About: https://ewatrebacz.com/works/inanna


Performance materials:
https://ewatrebacz.com/works/inanna/downloads/

ANC’L’SUNR (2013)
spatial soundscape with orchestra in the foreground

Polish Radio Symphony Orchestra, Marek Moś - conductor

 

About:  https://ewatrebacz.com/works/anclsunr

 

Score...

 


AUDIOVISUAL & MIXED-MEDIA PROJECTS

LAMENTATIONS: Assemblage 1 

LAMENTATIONS: Assemblage 2

LAMENT FOR UR.
Assemblages from the city that is no more.


[Ongoing project, first public performance planned for Sept. 2025, Warsaw ]

 

About:  https://ewatrebacz.com/lament


Collaborators: Ewa Trębacz (composer & digital artist) and Anna Niedźwiedź (voice, cultural anthropologist).
 

Project based on decoding of an ancient Sumerian text (The Lament for Urim) through creative interpretation, machine learning, spatial manipulation and transcoding between various media. In addition to the textual layer, the project focuses on the sensory and spatial dimension of sound and its power co-creating mourning rituals.
 

Assemblages: fluid, accidental, unique moments in time
 

The concept of assemblage is related to the interpretation of reality through the category of momentarily created and unique systems, which in turn create and generate something new themselves, but basically they are ephemeral, fluid, a bit accidental and unique.

Assemblages are also about going beyond the anthropocentric perception of reality and emphasizing the relationality of people, animals, bodies, space, plants, objects, various matter and its various textures, machines and technologies, etc. It is also an indication of non-discursive, performative and embodied elements of reality, and a turn towards interaction and broadly understood ecology.  Continue...
 

RECONTRE 3. 
Recorded live at the Historic Georgetown Steam Plant, Seattle. 

Josiah Boothby - French horn, Leanna Keith - flutes and movement,
Ewa Trębacz - ambisonic sound sources and violin, Ashley Menestrina - movement artist, Laura Luna Castillo - XR environment design; Daniel Peterson - live sound processing

RECONTRE SERIES (2024)
Collaborative Performances in Extended Reality


About: 
https://ewatrebacz.com/works/recontre


Series of collaborative performances and human-machine interactions, connecting the worlds of immersive sound, performing arts and experimental Extended Reality. 

 

 

ERRAI. Immersive Audiovisual Space. (2009)
Mixed-reality performance with ambisonic sound, stereoscopic video, and live light animation. Doctoral dissertation project.

Anna Niedźwiedź - soprano, Josiah Boothby - horn, Robert Sowa - lighting design
Ewa Trębacz - 3D animation and Ambisonic sound

 

About:  https://ewatrebacz.com/works/errai/

 

Related article: Trębacz, Ewa. "Depth Modulation: Composing Motion in Immersive Audiovisual Spaces". Organised Sound 17.2 (2012): 156-162. Print.
 

Web access (Cambridge University Press)...


More works: https://ewatrebacz.com/works/