NEWS & EVENTS

Festival Internacional
Cervantes Electroacústico

 

August 4, 2024, 8pm
 

CONCERT 3 

Teatro Nacional Cervantes
Buenos Aires - Argentina

 

PROGRAM
 

Ewa Trębacz  Umbrae (2023)

 

Anna Vassiliadis Cell Division (2020)

 

Pedro Castillo Lara Mecánica de fluidos (2024)

 

Jean Louis Hargous - Ihintza-Chloë Hargous Rémanences (2023)

 

Clayton Simmons Davidson Metal Fatigue (2023)

 

Daniel Schachter - Gabriel Delarosa Tiempos de arrebato (2023)

 

INTERMISSION
 

Oscar Pablo Di Liscia En tu inmensa pupila (2024)

 

Nahuel Litwin  Cuento de Pulgas (2023)

 

Jaime Reis  Fluxus pas trop haut dans le ciel (2017)

 

Eduardo Gilio Estudio Bacon (2023)

 

Rodrigo Sigal Twilight (2001)
María Marta Ferreyra, fagot

 

 

 

July 12, 2024

International Computer Music Conference

ICMC 2024 Seoul

Hanyang University

Paiknam Concert Hall - Concert B

 

Program:
 

Sarah E Keirle - Mersh
 

Chen Wang - TextMe
 

Enzhe Zheng - Beyond the Sky 
 

Yue Zhang - Gentle Pine Breeze, Tied-up Boat
 

Ewa Trębacz - Umbrae (Ambisonic soundscape)
 

Motoki Ohkubo - Birdy Loving Club

 

Full ICMC concert schedule...

 

About ICMC 2024  

 

This year's International Computer Music Conference is hosted by Hanyang University in Seoul, South Korea from July 7 to July 13, 2024 at the Hanyang University College of Music and its computer music studio, CREAMA (Center for Research in Electro-Acoustic Music and Audio).

 

Website: https://www.icmc2024.org

 

 

"On a micro level sound originates from motion – i.e. vibrations in a medium – and on a macro level the creation of sound for musical expression usually necessitates some kind of motion on the part of human performers as a catalyst. And although we tend to think of computers as “motionless”, they are actually just as much “in motion” on the microprocessor level as music-making performers on-stage, if not more so. This year’s conference will embrace the many diverse types of sound in motion – micro and macro – that are a part of our computer music universe."

 

 

Friday, June 21, 2024

 

New York City Electroacoustic Music Festival
NYCEMF 2024
 

THE SHEEN CENTER FOR THOUGHT & CULTURE

 

CONCERT 17
Frank Shiner Theater

Ewa Trębacz - Umbrae (Ambisonic soundscape)
Jana Koshy - mAhAmata
Yixuan Jin - The Dew Waker
Ben Fuhrman - Web
Hector Bravo Benard - Warped Dreams

 

INTERMISSION

 

Mikel Kuehn - Bob In Variations
Youngjae Cho - mirrored: ceilings, floors, walls
Matteo Tundo - Reciso
Kasey Pocius - eTu{d,b}e de Labo #1

 

About the Festival:
 

The New York City Electroacoustic Music Festival (NYCEMF) is the largest showcase of electroacoustic in New York City, and one of the largest festivals of its kind in the world. Works are presented in high-quality multichannel surround sound environments. The festival includes music performed by acoustic musical instruments, laptops, and custom electronic devices, as well as works involving digital video, and sound installations. 

More on the NYCEMF website: https://nycemf.org/about/

 

April 15 - 20, 2024
 

3rd Annual 40.4 Festival 2024

ATLAS B2 Center for Media, Arts & Performance

Boulder, University of Colorado

 

 

The 40.4 Fest is an audio-forward intermedia sonic summit that features a lineup of events focused around ATLAS B2's 44 channel high density speaker array. The festival is produced and curated by Sean Winters (University of Colorado, ATLAS B2 Center).    April 17: Concert of acousmatic and audiovisual works by Ewa Trębacz, Mariam Gviniashvili, Steve Ashby, Jean-Marc Duchenne, David Fodel, Michael Trommer, John Roach, Jakob Gille, Krzysztof Gawlas, and John Gunther.

 

 

November 3-4, 2023 - Rethymno, Crete

41st CIME/ICEM General Assembly 

Electroacoustic Music Days 2023

 

"Umbrae" - an Ambisonic work by Ewa Trębacz - has been included in the program of the Electroacoustic Music Days 2023 in Rethymno, Crete (Greece), in a joint event with the 41st General Assembly of the International Confederation of Electroacoustic Music (CIME/ICEM). 

 

During the 5 days of the festival, 13 concerts are scheduled and 78 works will be performed – 50 works by HELMCA composers and 28 international works by CIME/ICEM members. These include Belgium (FeBeME-BeFEM, Musiques & Recherches), France (Maison des Arts Sonores), Italy (Tempo Reale), Portugal (Projecto DME), Poland (PSeME), Ukraine (UAEM), USA (SEAMUS, UNT/CEMI), China (EMAC), Mexico (AARSOM) and Canada.

 

The program includes fixed media works - among them 15 octophonic, works for video, as well as performances incorporating analog electronics, computer systems, acoustic instruments and voice. The works will be presented with a loudspeaker orchestra surrounding the audience.

 

The event is hosted by the Department of Music Technology & Acoustics (HMU), in collaboration with the Hellenic Association of Electroacoustic Music Composers (HELMCA).

Festival website: https://meres-icem2023.hmu.gr/

Full program: https://meres-icem2023.hmu.gr/program/

 

 

KRAKÓW, POLAND - October 20-21, 2023

SPHERE Conference - Konferencja SFERA

Krzysztof Penderecki Academy of Music

Studio for Electroacoustic Music

CONCERT 3

 

Krzysztof Kicior - Blockchain Music Study 2.5 (2023) 
Czesław Minkus - SFERobroty’23 (2023)
Piotr Madej - Wildwood Rain (Spherical Object 6) (2023)
Ewa Trębacz - Umbrae (2023), Ambisonic soundscape
Krzysztof Gawlas - Freescape (2023)
GrupLab - Plejrek 380 (2023)
Marek Chołoniewski, Krzysztof Gawlas, Leszek Hefi Wiśniowski,
Czesław Czet Minuks, Piotr Madej

 

The Sphere Conference on the 50th anniversary of the Electroacoustic Music Studio of the AMKP in Krakow concerns the form of a spherical and holistic image of space-time in the physical and symbolic dimensions, with particular emphasis on music, sound art, video and animation as well as selected forms of media art (including 3D and VR). Similarly to previous SME conferences, it also refers to civilizational and ecological changes, cosmos and microuniverse, as well as selected social and political strategies.

 

LINZ, AUSTRIA, Sept. 6-10 2023

 

September 9, 2023 - Sonic Saturday

Concert "Medium Sonorum"

 

“Umbrae”  - an Ambisonic soundscape by Ewa Trębacz - was premiered on September 9, 2023 as part of the Ars Electronica Festival in Linz, Austria. The concert was the final event of their Sonic Saturday annual symposium, this year titled "Manufacturing Audible Truth" (in response to the festival's theme Who Owns the Truth?). The Symposium took place at the Sonic Lab of the Anton Bruckner Private University in Linz.

 

The program included mulitchannel compositions by Jakob Gille (DE), Manu Meier (CH), Chin Ting Chan (HK), Ewa Trębacz (PL/US), Tolga Yayalar (TR), and Berk Yagli (CY) - all of them presented with the ABPU's 20.4 surround sound system.

The theme of Ars Electronica in 2023, this year for- mulated as a question, aims directly at key disputed topics of our time: truth and ownership, interpretive authority and sovereignty. Can truth be owned? Is there a right to truth and if it does belong to someone or some institution, what control and responsibility are associated with it?   How do we ask ourselves such questions in this age of global interconnectedness and the rapidly developing performance of so-called Artificial Intelligence?  In an age, moreover, in which a small number of people, in neo-feudalistic fashion, have usurped the management of collective knowledge, and in which we also have good reason to doubt whether the vision of technology represents the solution to our problems.