EWA TRĘBACZ [read like: Eva Trembatch]

downloads

Inanna Descending

for Ambisonic sound and variable ensemble

Concert Recording 

(Stereo UHJ)

.WAV, 24 bit, 48kHz

Recorded Live on Feb.28, 2019

Meany Center for the Performing Arts - Gerlich Theater
University of Washington Campus in Seattle

 

Watch this performance on YouTube:

https://www.youtube.com/watch?v=xKDEexN49Vg

FIXED-MEDIA (TAPE), Ambisonic, FOA B-format audio file, 4-channel (FuMa, WXYZ) 

Electronic layer, MASTER, First-Order Ambisonics

This sound file (or its decoded multichannel version) should be used for concert performances. 

IMPORTANT: reproducing B-format sound files requires the use of an Ambisonic decoder. 

Please do not use the stereo version attached to the instructional videos (below) for concerts. If you'd like to use the video pitch map during a concert, please make sure to replace the stereo audio with an appropriate multichannel soundtrack.

 

Free Ambisonic decoders for SuperCollider and Reaper can be downloaded from the Ambisonic Toolkit (ATK) project page:

 

https://www.ambisonictoolkit.net/

 

FIXED-MEDIA (TAPE), Ambisonic, HOA3 HOA, 3rdOrder ACN N3D

Electronic layer, MASTER, Higher-Order Ambisonics (3rd order, ACN-N3D)

This is the HOA version of the electronic layer. 

IMPORTANT: reproducing this sound file requires the use of an Ambisonic decoder (HOA3).

FIXED-MEDIA (TAPE) - 12 channel decode single channels

Electronic layer, 12 channel decode (2 layers of 6 speakers each)

 

Speaker layout...

FIXED-MEDIA (TAPE) - 6 channel decode single channels

Electronic layer, 6 channel decode

 

Speaker layout...

FIXED-MEDIA (TAPE) - Stereo UHJ

Stereo UHJ

 About this format...

Stereo UHJ mixdown of the fixed-media layer

 

This file can be used for streaming purposes and mixed into stereo recordings.  Do not use for concert performances instead of surround sound.

Sumerian text - excerpt PDF

If performers wish to utilize the original text in ancient Sumerian, this is an adjusted excerpt (with explanations). 

 

Pitch Map (any instrument or voice)  video Pitch Map: general guidelines for improvisation (any instrument or voice)

The electronic layer of the piece should be treated as the score, and this video serves as visual guidelines for practicing and rehearsing. There is no printed score in a traditional sense. 

The video should be used as help for musicians in the process of learning the piece and as guidelines for improvisation. It should be used as reference while navigating through the form of the piece and learning the sections. Each musician should "extract" their own part based on this suggested pitch material. There are some suggestions regarding articulation and dynamics, but not meant for any specific instrument. Anyone can play or sing. 

To download the original video file (QuickTime, 2.2 GB, stereo audio), click here... 

Download Finale file... 

If you'd like to use this video during a concert performance, please make sure to replace the stereo audio with an appropriate multichannel soundtrack.
Pitch map (any instr), printout PDF This is a printed version of the "general" pitch map, with an extra staff line for notes. It can be used while learning the piece to "extract" your own part from the general guidelines and make notes during rehearsals. It is not meant to be a specific part to reproduce, just a learning tool. 

Download Finale file...

Pitch Map: Bandoneon

 

Download video file... 

 video

Pitch Map, bandoneon (or accordion)

This part was "extracted" from the general pitch map, and was used by the bandoneon player (Mirta Wymerszberg) during the premiere performance on February 28, 2019 in Seattle. Verbal descriptions and notes are based on our interactions during the rehearsals. 

 

Download video file (Finale screen capture, no audio)...


Download Finale file...