LULLABIES FOR NIBRU (2024), for bass flute and electronic media |
THARSIS (2024) for contrabass clarinet and electronic media |
LAMENTATIONS: Assemblage 1
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LAMENTATIONS: Assemblage 2 |
METANOIA (2020), concerto for violin, string orchestra and surround sound |
RECONTRE 3 (2024), collaborative performance in Extended Reality Recorded live at the Historic Georgetown Steam Plant, Seattle Josiah Boothby - French horn, Leanna Keith - flutes and movement, Ewa Trębacz - ambisonic sound sources and violin, Ashley Menestrina - movement artist, Laura Luna Castillo - XR environment design; Daniel Peterson - live sound processing |
UMBRAE (2023), Ambisonic soundscape |
THE TOWER OF BROKEN MIRRORS (remix 2023), Ambisonic soundscape |
INANNA DESCENDING (2019), for Ambisonic sound and variable ensemble
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TINY CHACONNE (2019), improvisation
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ANC’L’SUNR (2013), spatial soundscape with orchestra in the foreground |
LIGEIA (2016), for invisible soprano, ensemble and surround sound |
ERRAI (2009), for horn, soprano and audiovisual immersive media |
MINOTAUR (2005), for horn and surround sound |
THINGS LOST THINGS INVISIBLE (2007), for Ambisonic space and orchestra
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A MACHINE FOR ENTROPY (2022) for 2 clarinets, strings, percussion and electronic sounds NOCCO - North Corner Chamber Orchestra, Sean Osborn and Florie Rothenberg, clarinet
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EPHEMERAE (2005), for symphonic wind ensemble |
ALETHEIA (2000), for string orchestra |
SPINNING ZONE (2002), for percussion trio and computer-realized sound |
CHORDOCHROMIES (2003), for harpsichord and electronic media |
SEQUENCE (2007), animation by Robert Sowa, music by Ewa Trębacz |
CURRICULUM VITAE (2005), digital video |