EWA TRĘBACZ [read like: Eva Trembatch]

LULLABIES FOR NIBRU  (2024), for bass flute and electronic media
Joanna Stępalska-Spix - bass flute

THARSIS (2024) for contrabass clarinet and electronic media
Julian Paprocki - contrabass clarinet

LAMENTATIONS: Assemblage 1 
Ewa Trębacz - soundscape, Anna Niedźwiedź - voice.
Text: excerpts from The Lament for Urim
Source: Electronic Text Corpus of Sumerian Literature, University of Oxford

 

LAMENTATIONS: Assemblage 2
Ewa Trębacz - soundscape, Anna Niedźwiedź - voice
Reflections on war, changing times and grief. 
Quote at the end:  The Lament for Urim

METANOIA (2020), concerto for violin, string orchestra and surround sound
Adam Bałdych - violin, NFM Leopoldinum Orchestra, Christian Danowicz - conductor
63rd International Festival of Contemporary Music "Warsaw Autumn"
Witold Lutosławski Polish Radio Concert Studio in Warsaw


RECONTRE 3 (2024), collaborative performance in Extended Reality
Recorded live at the Historic Georgetown Steam Plant, Seattle

Josiah Boothby - French horn, Leanna Keith - flutes and movement,
Ewa Trębacz - ambisonic sound sources and violin, Ashley Menestrina - movement artist,
Laura Luna Castillo - XR environment design; Daniel Peterson - live sound processing

UMBRAE (2023), Ambisonic soundscape
Ewa Trębacz - Ambisonic mix & violin recordings | Sound format: Stereo UHJ

THE TOWER OF BROKEN MIRRORS (remix 2023), Ambisonic soundscape
Leanna Keith - flutes, Josiah Boothby - horn, Ewa Trębacz - violin and electronics
Sound format: Stereo UHJ

INANNA DESCENDING (2019), for Ambisonic sound and variable ensemble
Anna Niedźwiedź - virtual soloist (voice), Josiah Boothby - horn, Heather Bentley - viola,
Kaley Lane Eaton - voice, Leanna Keith - flute, Mirta Wymerszberg - bandoneon

TINY CHACONNE (2019), improvisation
Heather Bentley - viola, Josiah Boothby - French horn, Ewa Trębacz - violin
Recorded at the Abandoned Nuclear Plant in Satsop, Washington State (USA). 
 

ANC’L’SUNR (2013), spatial soundscape with orchestra in the foreground
Polish Radio Symphony Orchestra, Marek Moś - conducto

LIGEIA (2016), for invisible soprano, ensemble and surround sound
Anna Niedźwiedź - invisible soprano, Seattle Modern Orchestra, Julia Tai - conducto

ERRAI (2009), for horn, soprano and audiovisual immersive media
Anna Niedźwiedź - soprano, Josiah Boothby - horn, Robert Sowa - lighting design
Ewa Trębacz - 3D animation and Ambisonic soun

MINOTAUR (2005), for horn and surround sound
Josiah Boothby - French horn

THINGS LOST THINGS INVISIBLE (2007), for Ambisonic space and orchestra
K.Szymanowski Academic Symphony Orchestra, Arturo Tamayo, Szymon Bywalec - conductors
Virtual soloists: Josiah Boothby - French horn, Toby Penk - trumpet, Colby Wiley - trombone


A MACHINE FOR ENTROPY  (2022)
for 2 clarinets, strings, percussion and electronic sounds

NOCCO - North Corner Chamber Orchestra, Sean Osborn and Florie Rothenberg, clarinet

 

EPHEMERAE (2005), for symphonic wind ensemble
Windkraft Tirol, Kasper de Roo, conductor | Klangspuren Festival, Schwaz, Austria

ALETHEIA (2000), for string orchestra
Tarnów Chamber Orchestra, Tomasz Tokarczyk - conductor

SPINNING ZONE (2002), for percussion trio and computer-realized sound
Stephen Versaevel, Jeffrey Vick, Andrew Miller - percussion (live recording, 2016)

CHORDOCHROMIES (2003), for harpsichord and electronic media
Gośka Isphording, harpsichord

SEQUENCE (2007), animation by Robert Sowa, music by Ewa Trębacz

CURRICULUM VITAE (2005), digital video
Courtney Harris - dancer, Hope Wechkin - narrator