The electronic layer is comprised of continuous sound with unstable pitch and subtle changes of timbre. The role of the percussion part is either to interrupt the continuity of electronic sound or to counterpoint some distinguished events. The form of the piece consists of two symmetrical intersections, evolving towards two climax points and an epilogue.
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PREMIERE October 30, 2002 Meany Hall for the Performing Arts University of Washington Campus in Seattle University of Washington Percussion Ensemble Thomas Collier - conductor Andy Kalinski, Katie Hurst, Conney Lin - percussion
Live recording - 2002 version (mp3)...
With special thanks to: Digital Arts and Experimental Media (DXARTS), University of Washington
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October 2, 2016 |
"Digital Immersion", MSU Multimedia Series, Montana State University, Reynolds Recital Hall, Bozeman MT Stephen Versaevel, Jeffrey Vick, Andrew Miller - percussion |
September 22, 2005 |
Klangspuren Festival, Schwaz, Tirol, Austria |
September 22, 2003 |
46th International Festival of Contemporary Music WARSAW AUTUMN Teatr Rozmaitosci, Warsaw, Poland |
December 9, 2002 | Contempo Tempo!, Meany Studio Theatre, University of Washington, Seattle, USA University of Washington Percussion Ensemble: Andy Kalinski, Katie Hurst, Conney Lin - percussion, Thomas Collier - conductor |
October 30, 2002 |
Meany Hall for the Performing Arts, University of Washington, Seattle, USA |